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The Beholder’s Eye

by Walt Harrington

“Aims to dispel the old journalistic clich”: that a journalist writing about him/herself is always ‘self-indulgent and, quite likely, narcissistic.” He couldn’t have put together a better lineup of writers…

The Helmet of Horror

by Victor Pelevin

“Sharp, funny and, what’s the word, numinous.” —Hugo Barnacle, Sunday Times (London)…

The Player, The Rapture, The New Age

by Michael Tolkin

The Player: “A masterpiece! One of the smartest, funniest, most penetrating movies about moviemaking ever made.” –Steven Schiff, Vanity Fair…

Story of My Life

by Jay McInerney

“[McInerney’s] talent for capturing the nuances and idiosyncrasies of our culture is even more powerfully evident in The Story of My Life . . . Underneath Alison’s hip, partygirl exterior…

The Player

by Michael Tolkin

“One of the most wounding and satirical of all Hollywood expos’s: dark and mordant . . . savage. . . . A portrait of life among the high-rollers and deal…

Leopoldstadt

by Tom Stoppard

Finally making its Broadway debut in a limited engagement run, Tom Stoppard’s humane and heartbreaking Olivier Award-winning play of love, family, and endurance

Young Skins

by Colin Barrett

From a major new talent in international fiction, whom Colm Tóibín has hailed as “exciting and stylistically adventurous,” comes a propulsive, urgent portrait of dislocated Irish youth….

Where Three Roads Meet

by Salley Vickers

“[A] glowing sliver of a novel . . . Utterly surprising . . . Where Three Roads Meet is a . . . profoundly moving [novel] that compresses the horror…

Tales of Natural and Unnatural Catastrophes

by Patricia Highsmith

“While best known as a writer of thrillers, Highsmith is concerned with crafting stories to evoke the human comedy. Her wry portrayals of human folly sometimes lack sympathy, but Highsmith…