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T.H.U.G. L.I.F.E.

by Sanyika Shakur

“Shakur produces a visceral and strikingly real portrayal of gang life in Los Angeles, replete with sudden and inexplicable violence, revenge, betrayal, ostentatious living, racism, the strong arm of law…

Seven Mile Beach

by Tom Gilling

…that comes partly, one suspects, from the author’s demanding more of his main character than any satanic real estate agent ever would.” —Josh Bazell, The New York Times Book Review…

The Forgers

by Bradford Morrow

When a suspected forger is brutally murdered, his sister’s lover—himself a notorious counterfeiter of the handwriting of literary greats—is caught in a web of truth and lies that puts his…

Matterhorn

by Karl Marlantes

A big, powerful saga of men in combat, written over the course of thirty-five years by a highly decorated Vietnam veteran.

The Reluctant Sheriff

by Chris Offutt

Master storyteller Chris Offutt’s acclaimed crime series has been praised by Ian Rankin as “righteous Kentucky noir with top notes of Daniel Woodrell and S. A. Cosby,” and in this…

Ray

by Barry Hannah

…finally put it down. Barry Hannah is a talent to reckon with, and I can only hope that Ray finds an audience it deserves.” –Harry Crews, Washington Post Book World…

The Natural Order of Things

by António Lobo Antunes

“The Natural Order of Things . . . reads like William Faulkner or Céline . . . gorgeous . . . bedeviled [and] lyrical . . . a remarkable writer.”…

Last Words

by William S. Burroughs

“Last Words . . . presents fresh cues to the larger design of [Burroughs’s] imagination, and a means of gaining a renewed perspective on his work.” –The New York Times…

The Dressing Station

by Jonathan Kaplan

‘refreshingly unsentimental . . . His descriptions of surgery are unflinching. . . . Kaplan gives us a remarkable self-portrait of the war junkie. . . . Though he lets…

Rosencrantz & Guildenstern Are Dead

by Tom Stoppard

“Rosencrantz & Guildenstern are Dead [is] verbally dazzling . . . the most exciting, witty intellectual treat imaginable.” —Edith Oliver, The New Yorker…