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The Helmet of Horror

by Victor Pelevin

“Sharp, funny and, what’s the word, numinous.” —Hugo Barnacle, Sunday Times (London)…

Who’s Who in Hell

by Robert Chalmers

“Thoroughly engaging, delightful and very funny. . . . [Who’s Who in Hell] is a coming-of-age story set in a post-Thatcherite world. . . . A love story that avoids…

Win $1000 for reading and writing about one of the most exciting novels of the twenty-first century

Fourteen years in the writing, and 1664 pages in length, theMystery.doc is one of the most unusual novels ever published, combining photographs, pop-up ads, web chats, lines of code with…

Turn of Mind

by Alice LaPlante

“[Like] Anna Quindlen’s Every Last One—a dread-filled, unputdownable page-turner . . . Skillfully written in the memory-loss first person, the book combines murder mystery with family drama, bringing new meaning…

True North

by Jim Harrison

“Harrison consistently commands our attention for his humanity and his tenderness. That he can create such tension in the process—a tension not released until the last page—and in the end…

A Question of Mercy

by David Rabe

“Beautifully considered, piercingly clear-eyed . . . Mr. Rabe, in a play that reestablishes him as one of America’s preeminent dramatists . . . has written an exquisitely controlled about…

Peace Like a River

by Leif Enger

A “reminder of why we read fiction to begin with” (San Francisco Chronicle), Peace Like a River is Leif Enger’s extraordinary debut novel—a heroic quest, a tragedy, a love story,…

Howard Hawks

by Todd McCarthy

“Spectacular . . . McCarthy’s thick, rich biography . . . chronicles in vivid detail how perhaps the last great popular artist in the movies worked.” –Los Angeles Times Book…

Holidays in Heck, by P.J. O’Rourke

by P. J. O'Rourke

The follow-up to the classic Holidays in Hell, P. J. O’Rourke’s Holidays in Heck is the slightly less hazardous, slightly more mature, but still very funny collection of his classic…

The Great Pint-Pulling Olympiad

by Roger Boylan

“Boylan’s narrative resembles Joyce at his comically prolix best, with a similar appetite for vernacular nuance and pop allusion.” –The Village Voice…