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The Soft Machine

by William S. Burroughs

“Burroughs voice is hard, derisive, inventive, free, funny, serious, poetic, indelibly American, a voice in which one hears transistor radios and old movies and all the clichés and all the…

Meditations in an Emergency

by Frank O'Hara

“Moving in the way that only simple communication can be moving… His poems always manage a fresh start free from the dreadful posturings of the conventional verse of his generation.”—Kenneth…

Lovers for a Day

by Ivan Klíma

“Klíma is simply not read widely enough in the U.S. . . . A master of the significant detail–telling only that which is essential.” –Brad Hooper, Booklist…

Licorice

by Abby Frucht

‘spellbinding as a dream. . . . Ms. Frucht’s free-floating imagination and gentle, sensual voice have fashioned an enchanting novel.” –Bethami Probst, The New York Times Book Review…

In the Fall

by Jeffrey Lent

“Majestic . . . epic . . . vital . . . a necessary piece in a uniquely American mosaic.” —The New York Times Book Review…

Hell

by Robert Olen Butler

The Pulitzer Prize winner delivers a deliciously witty new novel of good, evil, and free will, set in a Hell populated by figures from history and contemporary culture (William Randolph…

A Good Man

by Guy Vanderhaeghe

…of the origins of Canada’s tangled relationship with its big southern neighbor. . . . Vanderhaeghe has delivered an epic that matches its grand ambitions.” —Bob Armstrong, Winnipeg Free Press…

Eat the Rich

by P. J. O'Rourke

“O’Rourke has done the unthinkable: He’s made money funny.” –Forbes FYI…

The Eye Like a Strange Balloon

by Mary Jo Bang

“The language in Mary Jo Bang’s poems can seem to break free from its subjects, rising into its own realm; if Bang understands that aerial appeal, she also knows how…

Bullwhip Days

by James Mellon

“A rich source of cultural information . . . Eloquent and important. It stands as a group portrait of people not long dead, all brutally deprived of their freedom, some…