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David Shih

David Shih is a professor at the University of Wisconsin-Eau Claire. His writing on race has appeared in the New York Times, NPR’s Code Switch, Electric Literature, and Inside Higher…

Grove at Home: December 6-12

…of surreal dissonance and unfettered imagination, Blood and Guts in High School may be the book most responsible for Kathy Acker’s reputation today as one of American writing’s greatest high-wire…

Dagoberto Gilb

…Winners on the Pass Line (1985), which came after he won his first literary prize, the James D. Phelan Award from the San Francisco Foundation. The book’s first notice was…

Julian Guthrie

Julian Guthrie is a journalist and author based in the San Francisco Bay Area. She spent twenty years at the San Francisco Chronicle, where she won numerous awards, including the…

Vanilla

by Tim Ecott

…and the Vanilla orchid by nicely intertwining his personal interviews, evocative descriptions of the plant with social as well as natural history and scientific fact.” –Bonnie Walker, San Antonio Express-News…

Venice for Lovers

by Louis Begley

“Refreshing and delightful. Begley and Muhlstein manage to combine in one volume the innocent ardor of a first-time visitor and the seasoned appreciation of longtime lovers.” —Don George, National Geographic…

The Pyrotechnic Insanitarium

by Mark Dery

“An exhilarating, dissonant ride . . . Dery, one of our most astute contemporary cultural critics . . . relishes his role as curator of America’s bulging cabinet of horrors….

The Art of Political Murder

by Francisco Goldman

…times, Goldman offers a rare gift: a reason for hope, a story about the limits of impunity, an improbable and inspiring case study of success.” —Daniel Alarcón, San Francisco Chronicle…

A Man of Two Faces

by Viet Thanh Nguyen

LONGLISTED FOR THE NATIONAL BOOK AWARD: The highly original, blistering, and unconventional memoir by the Pulitzer Prize-winning author of The Sympathizer, which has now sold over one million copies worldwide…

Story of My Life

by Jay McInerney

…. . . Underneath Alison’s hip, partygirl exterior . . . is McInerney’s disturbing depiction of a young woman caught in the traumatic reality of her times.” —San Francisco Chronicle…