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Sightseeing
by Rattawut Lapcharoensap…everywhere. . . . “Priscilla,” which describes gradations of poverty in the third world, is near-perfect in its lyricism, wistfulness and concision.” –Darin Strauss, The New York Times Book Review…
The Siege
by Helen Dunmore…five people huddle in one freezing room and Dunmore describes what is happening to them in language that is elegantly, starkly beautiful.” –Janice P. Nimura, New York Times Book Review…
Saddam Hussein
by Efraim Karsh…authors have produced a subtle interpretation of Saddam, which casts him as a man forged by his society even as he sought to reforge it.” –Martin Kramer, New York Newsday…
Paying Back Jack
by Christopher G. Moore“Paying Back Jack might be Moore’s finest novel yet. A gripping tale of human trafficking, mercenaries, missing interrogation videos, international conspiracies, and revenge, all set against the lovely and sordid…
The Mammoth Cheese
by Sheri Holman“Holman has fashioned a tale that is poignant and powerful and, like an award-winning cheese, surprisingly complex.” —Chris Bohjalian, The Washington Post Book World…
Goodnight, Nobody
by Michael Knight…make a setting breathe, to invest it with a vitality that seems as authentic and intense as the pulsebeats of his characters.” –Jonathan Miles, The New York Times Book Review…
Escape Velocity
by Mark Dery…far reaches of today’s computer savvy avant-garde . . . this book is your ideal guide to the cultural complexities of the computer age.” –The New York Times Book Review…
Anderson’s Ché Guevara
by Jon Lee Anderson“Excellent . . . admirably honest [and] staggeringly researched . . . It is unlikely that after Anderson’s exhaustive contribution, much more will be learned about Guevara.” —Los Angeles Times…
The Best of It
by Kay Ryan…often built on the logic of the pun, taking an ordinary word or dead cliché as a title and then jolting it to unexpected life.” —Adam Kirsch, The New Yorker…
The Holiday Season
by Michael Knight…a setting breathe, to invest it with a vitality that seems as authentic and intense as the pulse beats of his characters.” —Jonathan Miles, The New York Times Book Review…
