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The Best a Man Can Get
by John O'Farrell“[A] bright, hilarious little novel . . . O’Farrell has a tart narrative voice and a delectably understated way with wisecracks. You could say that his style depends heavily on…
Purge
by Sofi Oksanen…of all the miserable choices Estonians faced during their periods of oppression. . . . Oksanen has crafted a stirring and humane work of art.” —Jacob Silverman, The New Republic…
High Lonesome
by Barry Hannah…today. . . . High Lonesome collects thirteen stories, a handful of them of startling unexpectedness, with moods and interior storms that cannot be found anywhere else.” –The New Republic…
The Divine Husband
by Francisco Goldman“The Divine Husband presents the peculiar crossroads where love and imagination meet politics and history. . . . A great miscegenating carnival of ambition and desire.” —Lee Siegel, The New…
The Cherry Orchard (Mamet)
by Anton Chekhov…point of departure. If nothing else, it will help to undermine our silly critical notions of ‘definitive’ Chekhov. Mamet has made me rethink the play.” —Robert Brustein, The New Republic…
I Shot Andy Warhol
by Mary Harron…. . . Harron comprehends and dramatizes the milieu through which Solanas moved and also understands that this eccentric woman had glints of real perception.” –Stanley Kauffman, The New Republic…
Ivan Klíma
…copies as people lined up to buy them for the first time in his native language. In 1990, Klíma was elected president of The Czech Republic’s PEN Club. He has…
Krapp’s Last Tape and Other Dramatic Pieces
by Samuel Beckett…. . Beckett has fashioned a vehicle for himself in drama and prose that allows him to be romantic and irreverent at one and the same instant.” –The New Republic…
The Three Sisters
by Anton Chekhov…and convincing. . . . [This adaptation] will help to undermine our silly critical notions of ‘definitive’ Chekhov. Mamet has made me rethink the play.” —Robert Brustein, The New Republic…
Collected Poems in English and French
by Samuel Beckett…we recognize from his drama in prose. Like some ‘death-mask of unrivalled beauty,” Beckett’s poetry offers us a very unexpected detour into the formalities of lyrical structure.” –The New Republic…
