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The Soft Machine
by William S. Burroughs“Burroughs voice is hard, derisive, inventive, free, funny, serious, poetic, indelibly American, a voice in which one hears transistor radios and old movies and all the clichés and all the…
Meditations in an Emergency
by Frank O'Hara“Moving in the way that only simple communication can be moving… His poems always manage a fresh start free from the dreadful posturings of the conventional verse of his generation.”—Kenneth…
Licorice
by Abby Frucht‘spellbinding as a dream. . . . Ms. Frucht’s free-floating imagination and gentle, sensual voice have fashioned an enchanting novel.” –Bethami Probst, The New York Times Book Review…
A Good Man
by Guy Vanderhaeghe…of the origins of Canada’s tangled relationship with its big southern neighbor. . . . Vanderhaeghe has delivered an epic that matches its grand ambitions.” —Bob Armstrong, Winnipeg Free Press…
Escape Velocity
by Mark Dery“A lively compendium of dispatches from the far reaches of today’s computer savvy avant-garde . . . this book is your ideal guide to the cultural complexities of the computer…
The Disappeared
by Kim Echlin“The familiar tale of star-crossed lovers is revisited with gripping immediacy and compelling freshness in Kim Echlin’s The Disappeared. Writing with sensuality, yearning, and in a voice readers will not…
The Eye Like a Strange Balloon
by Mary Jo Bang“The language in Mary Jo Bang’s poems can seem to break free from its subjects, rising into its own realm; if Bang understands that aerial appeal, she also knows how…
Bullwhip Days
by James Mellon…a group portrait of people not long dead, all brutally deprived of their freedom, some insidiously deprived of the very idea that they should be free.” –The New York Times…
At the Full and Change of the Moon
by Dionne Brand“[Brand has] a lush and exuberant style that may put some readers in mind of Toni Morrison or Edwidge Danticat.” –The New York Times Book Review…
Eat the Rich
by P. J. O'Rourke“O’Rourke has done the unthinkable: He’s made money funny.” –Forbes FYI…
