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Disjecta
by Samuel Beckett“[Beckett] is a serious writer with something serious to say about the human condition: and therefore one of the dozen or so writers those who are concerned with modern man…
Cereus Blooms at Night
by Shani Mootoo“Shani Mootoo digs deep into the heart of classic storytelling, expanding, sculpting, and molding what is expected into a completely fresh approach to narrative. Her language and characters seduce us…
The Beholder’s Eye
by Walt Harrington“Aims to dispel the old journalistic clich”: that a journalist writing about him/herself is always ‘self-indulgent and, quite likely, narcissistic.” He couldn’t have put together a better lineup of writers…
Archeology of the Circle
by Bruce Weigl“Few poets of any generation have written so searingly into of the trauma of war, inscribing its wound while refusing the fragile suture of redemption. Here is the haunted utterance…
Every Good Boy Deserves Favour and Professional Foul
by Tom StoppardThe latest plays of Tom Stoppard, author of such contemporary classics as Jumpers, Dirty Linen, the Real Inspector Hound, and Rosencrantz and Guildenstern Are Dead….
The Great Silence
by Juliet Nicolson“Wonderfully vivid . . .When we study history we . . . tend to overlook the transitional periods. Juliet Nicolson has, in a short time, become the voice of these…
Hawthorne in Concord
by Philip McFarland“McFarland’s book takes the prize for readability. His is an impressionistic account that could only result from sensitivity and empathy for its subject.” —David Locker, Evansville Courier & Press…
Lyrics Alley
by Leila Aboulela“Haunting . . . Keeps the reader gripped . . . A tale of powerful feelings and potent words . . . this visceral, epic novel . . . gives…
Wonderland
by Michael Bamberger“Bamberger spends a year learning the individual stories that make up a senior class, weaving them together for a composite portrait that, we hope, will give us a clear vision…
Walking to Hollywood
by Will Self“Self’s ultimate vision . . . is described in dazzling bursts of verbal pyrotechnics. . . . The language here is as rich as Vladimir Nabokov’s, the rage as deep…
