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Grove at Home: August 23—29

…https://www.youtube.com/watch?v=w_Lw5lt3J6c   Wednesday, August 26 “Is there still sex in the city?” “I think the answer is yes. But less.” It’s official — Is There Still Sex in the City?,…

Welcome to Our 2022 Gift Guide

…chilling tale of historical retribution.”—Tom Nolan, Wall Street Journal   Shifty’s Boys by Chris Offutt A Deadly Pleasures Best of 2022! Army-CID-officer-cum-unofficial-PI Mick Hardin is up against unforeseen forces who…

Grove at Home: January 10-16

…who would himself be executed within the year — announced that the charges against the doctors had been dropped. The Doctors’ Plot is one of a number of riveting stories…

Grove at Home: June 21—27

…for racial justice The United States and the world continue to struggle toward racial justice in the wake of George Floyd’s killing at the hands of Minneapolis police officers. Two…

Browsing the Backlist: Memorial Day Reads

…people on the occasion of Memorial Day—and we continue to remember them all year through our long tradition of publishing outstanding military history. A number of books in that tradition…

Wanting

by Richard Flanagan

“Flanagan sets his novel in the wilds of nineteenth-century Tasmania and evokes its inhabitants with exquisite precision. . . . An entirely unified meditation on desire, ‘the cost of its…

Uniform Justice

by Donna Leon

“Leon is probably the best mystery writer you’ve never heard of. . . . She uses the relatively small and crime-free canvas of Venice for riffs about Italian life, sexual…

Tales of Natural and Unnatural Catastrophes

by Patricia Highsmith

“While best known as a writer of thrillers, Highsmith is concerned with crafting stories to evoke the human comedy. Her wry portrayals of human folly sometimes lack sympathy, but Highsmith…

A.J. Ayer

by Ben Rogers

“A delightful discourse on an extraordinarily full life: Rogers succeeds in capturing the spirit of a philosophical maverick who many loved to hate.” –Kirkus Reviews…

Goodnight, Nobody

by Michael Knight

“Arresting. Stylistically, Knight slaloms through old-fashioned noir and snarky postmodernism, and from Barthelmean set pieces to a riff on Stonewall Jackson that evokes one of Barry Hannah’s Civil War fever…