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a: A Novel

by Andy Warhol

“Hellish hymns from Amphetamine Heaven, the vox populi of the Velvet Underground . . . These people are witty and they are grand, they do terrible things and make awful…

The Best of It

by Kay Ryan

“Melancholy lucidity is Ryan’s greatest gift, and it can be heard in all her most successful poems. But her most startling discovery is that melancholy, with its tendency to brood…

A Question of Mercy

by David Rabe

“Beautifully considered, piercingly clear-eyed . . . Mr. Rabe, in a play that reestablishes him as one of America’s preeminent dramatists . . . has written an exquisitely controlled about…

Playing Through the Whistle

by S. L. Price

From a Sports Illustrated senior writer, a moving epic of football and industrial America, telling the story of Aliquippa, Pennsylvania, its now-shuttered steel mill, and its legendary high school team….

A Place of Healing for the Soul

by Peter France

“France’s conversion is deeply touching. His sense of unworthiness, of nagging doubt, of willingness to plunge ahead regardless, gives to the traditional conversion tale a modern spin. This is religious…

The Piano Teacher

by Elfriede Jelinek

“The Piano Teacher is compelling fiction, ensnaring the reader with the intensity of the author’s vision and the bitter irony she uses to present her view of the city. The…

A Personal Matter

by Kenzaburo Oe

“In writing novels there is no substitute for maturity and moral awareness. Kenzaburo Oe has both.” –Alan Levensohn, Christian Science Monitor…

Peace Kills

by P. J. O'Rourke

“Peace Kills is war coverage in the great tradition of Catch 22 and M*A*S*H: Wars can be right or wrong, but they are always crazy and frightening in the center…

Painted Horses

by Malcolm Brooks

A big, enthralling debut novel of America in its ascendance, of history versus modernity, and a love story of the West, Painted Horses introduces an extraordinary new literary voice….

Not the End of the World

by Christopher Brookmyre

“Perpetually in-your-face: sassy, irreverent, and stylish . . . [with] a high-octane sense of the absurd.” —The Times (London)…