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The Public Burning

by Robert Coover

“I would guess that since World War II only Lolita, The Invisible Man, and Catch-22 are in [The Public Burning‘s] class for durability. But for the risks it runs, for…

The Pope’s Rhinoceros

by Lawrence Norfolk

“Norfolk’s ferocious, greedy originality of angle and expression evokes continuous astonishment.” –The Times Literary Supplement…

A Place to Stand

by Jimmy Santiago Baca

“The finest memoir I’ve read in I don’t know how long. It reminded me of the rawness of George Orwell combined with the human exuberance of Neruda’s memoirs. . ….

Pirandello’s Henry IV

by Luigi Pirandello

‘stoppard in his new pared-down, updated, and racily colloquial adaptation, finds both the intellectual rigor and the dramatic momentum and presents us with a quirky hybrid that is eventually and…

Pig Island

by Mo Hayder

“Mo Hayder, who writes dark, perfect thrillers . . . now spins a shivery tale about a cult on the west coast of Scotland, where the weather nourishes bleak menace.”…

Playing Through the Whistle

by S. L. Price

From a Sports Illustrated senior writer, a moving epic of football and industrial America, telling the story of Aliquippa, Pennsylvania, its now-shuttered steel mill, and its legendary high school team….

A Peculiar Grace

by Jeffrey Lent

“Family-fracturing secrets are at the heart of Lent’s luminous third novel, a transcendent story about the healing power of love and art. . . . This sympathetic depiction of a…

Parliament of Whores

by P. J. O'Rourke

“Pick up O’Rourke’s Parliament of Whores, a riotously funny and perceptive indictment of America’s political system. You’ll stop reading only when you stop laughing. . . . Parliament of Whores…

Painted Horses

by Malcolm Brooks

A big, enthralling debut novel of America in its ascendance, of history versus modernity, and a love story of the West, Painted Horses introduces an extraordinary new literary voice….

On a Wave

by Thad Ziolkowski

“More than an account of a sport mastered. It’s a sharp, self-conscious portrait of the artist as a young grommet.” –The New Yorker…