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The Cap

by Roman Frister

“Staggering in its honesty . . . a taut and compulsively readable narrative that makes fresh again horrors that have become familiar . . . Frister’s courage to plumb the…

The Good Parents

by Joan London

“Populated with an astonishing number of stories ranging through three generations of an Australian family. Presented with economy and nimble interleaving, they pivot around a central mystery. . . ….

The Giant of the French Revolution

by David Lawday

The Giant of the French Revolution tells the story of George-Jacques Danton—visionary leader and tragic hero—in a work The Economist called “a gripping story, beautifully told.”…

Funeral Rites

by Jean Genet

“Funeral Rites is quite possibly an evil book. It is clearly a brilliant book, . . . a seminal document in the development of one of the most important literary…

Full Creel

by Nick Lyons

“Nick Lyons’s impressive narrative skills are on full display, making readers not only see but feel the nuances of the angler’s art and the watery stages on which they’re played…

Freeman’s: Family

by John Freeman

The second issue of a new anthology from renowned literary critic John Freeman, featuring never-before-published stories, essays, and poetry by Claire Messud, Aminatta Forna, Marlon James, Alexander Chee, Aleksandar Hemon,…

A Free Man of Color

by John Guare

“[A Free Man of Color] . . . might be a masterpiece. . . . one of the three or four most stirring new plays I’ve seen.” —Terry Teachout, The…

Frankie’s Place

by Jim Sterba

“[Frankie’s Place] is really the story of finding a place that fits, a home in the world. . . . It’s about loving the person you’re with. Happiness. Contentment. Peace….

The Flowers

by Dagoberto Gilb

“The prospect of reading a novel narrated in run-on sentences, fragments, Spanish phrases and street slang might seem daunting, but not when you meet the precocious, Holden Caufieldesque narrator of…

A Few Stout Individuals

by John Guare

“Vivacious. Individuals is . . . so unmistakably the product of Mr. Guare’s exotic yet very American imagination.” —Ben Brantley, The New York Times…