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Fathers and Sons

by David Seybold

‘members of the men’s movement who have ambiguous, ill- or unexpressed feelings about their dead fathers or harbor troubling tendernesses toward their sons may find some solace come Father’s Day…

Endgame & Act Without Words

by Samuel Beckett

“Samuel Beckett shows us a mystery outside the grasp of any other dramatist. The feeling Beckett expresses on the stage is a note heard nowhere else in contemporary drama. ….

Elvissey

by Jack Womack

“Jack Womack is another of the heirs of cyberpunk, one of science fiction’s most interesting new writers.” –Los Angeles Times…

The Earth Shall Weep

by James Wilson

“A sweeping, well-written, long-view history of American Indian societies . . . a trustworthy telling of a sad epic of misunderstanding, mayhem, and massacre.” –Kirkus Reviews (starred)…

Doctor Sleep

by Madison Smartt Bell

“This man writes the way de Sica filmed. His prose is vivid without being showy, witty without being self-satisfied, economical without being minimalist. The camera disappears.” –The Philadelphia Inquirer…

Ivan Klíma

Ivan Klíma was born in Prague in 1931, in the middle of the Great Depression to a middle-class Jewish family. During the Second World War, he spent three-and-a-half years in…

Chasing Kangaroos

by Tim Flannery

“Australian scientist/conservationist/explorer Flannery (The Weather Makers, 2006, etc.) tells the remarkable story of underappreciated marsupials thriving Down Under. . . . Quite exhaustive, fired by boundless exuberance that leaps off…

Manson in His Own Words

by Nuel Emmons

“A glimpse of part of the American experience that is rarely described from the inside . . . It compels both interest and horror.” –The Washington Post…

The Arch of Desire

by Vincent Muñoz Puelles

“[A] delicious, bold and genuinely immoral book, or perhaps rather a treatise in favor of hedonism and the pleasures of desire.” –A. Castro, El Periodico…

Uncle Vanya

by Anton Chekhov

“An act of deconstruction designed to exhume the living energies of Chekhov’s writing from under the heavy weight of ‘masterpiece topsoil.’” –Robert Brustein, American Repertory Theatre…