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Trigger Point
by Matthew Glass“In the manner of an epic Tom Clancy blockbuster, Glass’s . . . interconnected worlds of finance and politics exist in three (if not four) dimensions. He makes market manipulation…
Under a Sickle Moon
by Peregrine Hodson“In this well-written, vivid, poignant account, he paints a portrait of a struggle that seems to resemble the Vietnamese battle against U.S. forces 20 years ago’Highly recommended.” –Publishers Weekly…
Arafat’s War
by Efraim Karsh…But in this eye-opening and exhaustively researched book, Karsh shows us that it is in a large part the product of a single man’s pathological will.” –The New York Post…
David Shih
David Shih is a professor at the University of Wisconsin-Eau Claire. His writing on race has appeared in the New York Times, NPR’s Code Switch, Electric Literature, and Inside Higher…
Old World, New World
by Kathleen Burk“This stunning and important work is destined to become the benchmark study of this topic for many years to come.” —Publishers Weekly (starred review)…
The Postmoderns: The New American Poetry Revised
by Donald M. AllenUnited by their “postmodernist” concerns with spontaneity, “instantism,” formal and syntactic flexibility, and the revelation of both the creator and the process through the writing itself, these 38 poets represent…
Party Time and The New World Order
by Harold Pinter“Party Time‘s last loaded encounter is better than anything Pinter has written in years.” —The Times (London)…
New Japanese Voices
by Helen Mitsios“A happy marriage of contemporary Western culture with the traditional Japanese sensibility makes this story collection by young Japanese writers a worthwhile successor to a distinguished literary past.” –Kirkus Reviews…
World Made by Hand
by James Howard Kunstler“Far from a typical post-apocalyptic novel. It caters neither to a pseudo-morbid nor faddishly slick vision of the future. Though grim with portent, it is ultimately, as Camus’s novel The…
Amedee, The New Tenant, Victims of Duty
by Eugene Ionesco“There is not a dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged…
