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The Divine Husband

by Francisco Goldman

“The Divine Husband presents the peculiar crossroads where love and imagination meet politics and history. . . . A great miscegenating carnival of ambition and desire.” —Lee Siegel, The New…

A Place of Healing for the Soul

by Peter France

“France’s conversion is deeply touching. His sense of unworthiness, of nagging doubt, of willingness to plunge ahead regardless, gives to the traditional conversion tale a modern spin. This is religious…

Susan Isaacs

Susan Isaacs is the author of fourteen novels, including Takes One to Know One, As Husbands Go, Long Time No See, Any Place I Hang My Hat and Compromising Positions….

O Solo Homo

by Holly Hughes

“Naked passion, fiery intellect and dissatisfaction with the status quo mark all good performance art. This collection embodies those elements at their best. Each piece makes you sit up and…

Harry Dolan

Harry Dolan is the author of the mystery/suspense novels Bad Things Happen (2009), Very Bad Men (2011), The Last Dead Girl (2014), and The Man in the Crooked Hat (2017)….

Once Is Not Enough

by Jacqueline Susann

“[Susann’s] pulp poetry resonates to this day. With her formula of sex, drugs and show business, Susann didn’t so much capture the tenor of her times as she did predict…

The Pleasing Hour

by Lily King

“Splendid . . . Powerful . . . so assured that it’s hard to believe the book is [King’s] debut.” —Jacqueline Carey, The New York Times Book Review…

The Middleman and Other Stories

by Bharati Mukherjee

“Bharati Mukherjee, in this astonishing second book of short stories, zeroes in on uneasy terrain that no one has looked at with quite so clear an eye since approximately World…

T.H.U.G. L.I.F.E.

by Sanyika Shakur

“Shakur produces a visceral and strikingly real portrayal of gang life in Los Angeles, replete with sudden and inexplicable violence, revenge, betrayal, ostentatious living, racism, the strong arm of law…

Cockpit

by Jerzy Kosinski

“A dazzling succession of . . . erotic episodes . . . Cockpit defines itself (as Kosinski does his hero) by the suicidal chances it takes . . . brilliantly…