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Purge
by Sofi Oksanen…of all the miserable choices Estonians faced during their periods of oppression. . . . Oksanen has crafted a stirring and humane work of art.” —Jacob Silverman, The New Republic…
Journey to the Alcarria
by Camilo José Cela…outside the novel, in travel sketches and essays. . . . The best-known and most charming of Cela’s travel sketches is Journey to the Alcarria.” –Christopher Maurer, The New Republic…
Collected Poems in English and French
by Samuel Beckett…we recognize from his drama in prose. Like some ‘death-mask of unrivalled beauty,” Beckett’s poetry offers us a very unexpected detour into the formalities of lyrical structure.” –The New Republic…
I Shot Andy Warhol
by Mary Harron…. . . Harron comprehends and dramatizes the milieu through which Solanas moved and also understands that this eccentric woman had glints of real perception.” –Stanley Kauffman, The New Republic…
The Cherry Orchard (Mamet)
by Anton Chekhov…point of departure. If nothing else, it will help to undermine our silly critical notions of ‘definitive’ Chekhov. Mamet has made me rethink the play.” —Robert Brustein, The New Republic…
The Son of Man
by Jean-Baptiste Del AmoFrom the author of the “extraordinary” Animalia (Sunday Times), winner of the Republic of Consciousness Prize and finalist for the Lambda Literary Award and Best Translated Book Award, a blazing…
High Lonesome
by Barry Hannah…today. . . . High Lonesome collects thirteen stories, a handful of them of startling unexpectedness, with moods and interior storms that cannot be found anywhere else.” –The New Republic…
The Harder They Come
by Michael Thelwell…authentic and evocative portrait of the Jamaican poor–the rich and sustaining vernacular of their culture, the sheer heroism of their economic existence–that I have seen.” –Jarvis Anderson, The New Republic…
Krapp’s Last Tape and Other Dramatic Pieces
by Samuel Beckett…. . Beckett has fashioned a vehicle for himself in drama and prose that allows him to be romantic and irreverent at one and the same instant.” –The New Republic…
The Three Sisters
by Anton Chekhov…and convincing. . . . [This adaptation] will help to undermine our silly critical notions of ‘definitive’ Chekhov. Mamet has made me rethink the play.” —Robert Brustein, The New Republic…
