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Girl, Woman, Other

by Bernardine Evaristo

From one of Britain’s most celebrated writers of color, a magnificent portrayal of the intersections of identity among an interconnected group of Black British women

Information Wars

by Richard Stengel

From former TIME editor and Under Secretary for Public Diplomacy and Public Affairs Richard Stengel, Information Wars is the first and only insider account exploring how the U.S. tried —…

How the Light Gets In

by M.J. Hyland

A remarkable U.S. debut that is “a brilliant capturing of the intensity of a child on the frightening brink of adulthood that simultaneously incorporates bleak humor and deep emotion.” –Sunday…

Halibut on the Moon

by David Vann

Hailed as “a writer to read and reread” (Economist), who “tracks the same wild territory as Joseph Conrad and Cormac McCarthy” (Observer), New York Times Notable author David Vann delivers…

The Heavens

by Sandra Newman

A work of rare literary brilliance and emotional power, The Heavens is a mesmerizing novel of love and dreams that moves between a reimagined New York City and Elizabethan England…

The Temptation of Forgiveness

by Donna Leon

In the twenty-seventh novel in Donna Leon’s bestselling mystery series, a suspicious accident leads Commissario Guido Brunetti to uncover a longstanding scam with disturbing unintended consequences.

Sisters

by Lily Tuck

From National Book Award winner Lily Tuck, a subversive short novel of jealousy and desire that tells the story of a new marriage from its surprising inception through its provocative…

The New Inheritors

by Kent Wascom

The third novel from “one of the most exhilarating historical novelists in the country” (Washington Post), set in New Orleans, the Mississippi coast, Cuba, and Nicaragua in the early decades…

Indian Ink

by Tom Stoppard

Tom Stoppard’s powerfully evocative exploration of filial and colonial ties, love and loss, and the passage of time.

Dead Men’s Praise

by Jacqueline Osherow

“Like Elizabeth Bishop, who wove her voice into a sestina so effortlessly you forget the form is there, Osherow makes villanelles, sonnets, and even Dante’s terza rima feel genuinely conversational.”…