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The Flowers

by Dagoberto Gilb

“The prospect of reading a novel narrated in run-on sentences, fragments, Spanish phrases and street slang might seem daunting, but not when you meet the precocious, Holden Caufieldesque narrator of…

LAbyrinth

by Randall Sullivan

“You don’t have to know anything about any of this to love this book.” —Carolyn See, The Washington Post…

The Fighter’s Mind

by Sam Sheridan

From the author of the critically-acclaimed best-seller A Fighter’s Heart comes an unprecedented look inside the minds of the world’s top fighters and trainers….

The Black Russian

by Vladimir Alexandrov

“In this magnetically appealing, unforgettable biography, Alexandrov . . . [with] assiduous research . . . insightfully and dynamically portrays a singular man.” —Booklist (starred review)…

The Earth Shall Weep

by James Wilson

“A sweeping, well-written, long-view history of American Indian societies . . . a trustworthy telling of a sad epic of misunderstanding, mayhem, and massacre.” –Kirkus Reviews (starred)…

House Blood

by Mike Lawson

“Another page-turner brimming with authentic Washington, D.C., detail and distinctive, engaging characters.” —Library Journal…

Family Meals

by Michael Tucker

The follow-up to his celebrated memoir, Living in a Foreign Language, Michael Tucker’s Family Meals is a heartwarming book about family and the challenges of caring for an aging parent,…

The School on Heart’s Content Road

by Carolyn Chute

“Chute is such an extraordinary, vivid, empathetic writer. . . . Like a ferocious bulletin from an alternate universe—tumbling, pell-mell, brilliant and strange—comes this explosive and discomfiting . . ….

Night Train to Lisbon

by Pascal Mercier

“Rich, dense, star-spangled . . . The novels of Robert Stone come to mind, and Elias Canetti’s Auto-da-Fe, and Thomas Mann’s Death in Venice, and Kobo Abe’s The Ruined Map,…

Last Words

by William S. Burroughs

“Last Words . . . presents fresh cues to the larger design of [Burroughs’s] imagination, and a means of gaining a renewed perspective on his work.” –The New York Times…