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The Devil That Danced on the Water

by Aminatta Forna

“Powerful. . . . At once impassioned, lucid, and understandably enraged, The Devil That Danced on the Water illuminates the troubled, tragic history of a country and a continent.” —O,…

Composing a Life

by Mary Catherine Bateson

“A masterwork of rare breadth and particularity, encompassing all the rhythms of five lives and friendships, and interweaving their stories in ways that reveal grand social truths and peculiar personal…

Cleopatra Dismounts

by Carmen Boullosa

An enchanting, audacious retelling of the Cleopatra story from a Mexican novelist who is “a luminous writer” and “a masterful spinner of the fantastic.” –Fabiola Santiago, The Miami Herald…

The Cigar Roller

by Pablo Medina

A hypnotic portrayal of a Cuban cigar roller, now an old man trapped inside his useless body, compelled to relive his worst failures in order to conjure his fairest memories….

Black Spring

by Henry Miller

“In Black Spring the old charmer is back at work, charming again. ‘This man, this skull, this music’ have good things in them, like a honeycomb. Henry Miller . ….

The Committed

by Viet Thanh Nguyen

The sequel to The Sympathizer, which won the 2016 Pulitzer Prize in Fiction and went on to sell over a million copies worldwide, The Committed tells the story of “the…

American Nomads

by Richard Grant

“Grant succumbs to indigenous American wanderlust, exploring the land mostly left of the Mississippi in a journey of discovery for himself and other agoraphobics. . . . [American Nomads is]…

A Woman Run Mad

by John L'Heureux

“Breathtaking . . . one of the most intense reading experiences I’ve had in recent memory . . . Impossible to put down.” –The New York Times Book Review…

Frighten the Horses

by Oliver Radclyffe

A textured, sharply written memoir about coming of age in the fourth decade of one’s life and embracing one’s truest self in a world that demands gender fit in neat…

The Great Pint-Pulling Olympiad

by Roger Boylan

“Boylan’s narrative resembles Joyce at his comically prolix best, with a similar appetite for vernacular nuance and pop allusion.” –The Village Voice…