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Jack of Spades

by Joyce Carol Oates

In this new literary thriller from Joyce Carol Oates, when a venerated mystery writer is accused of plagiarism by a strange woman from his small New Jersey town, his life—and…

High Lonesome

by Barry Hannah

…today. . . . High Lonesome collects thirteen stories, a handful of them of startling unexpectedness, with moods and interior storms that cannot be found anywhere else.” –The New Republic…

H Is for Hawk

by Helen Macdonald

…wild world as well. Her book is so good that, at times, it hurt me to read it. It draws blood, in ways that seem curative.”—Dwight Garner, New York Times…

The Great Divorce

by Ilyon Woo

“Modern Americans, bombarded with stories of celebrity divorces, probably assume that the tabloid breakup is a recent phenomenon. This lively, well-written and engrossing tale proves them wrong.” —The New York…

Goodnight, Beautiful Women

by Anna Noyes

An electrifying debut by sensational new literary talent Anna Noyes, Goodnight, Beautiful Women surveys the residents of small New England coastal towns in tales that probe boundaries of familial intimacy,…

Full Service

by Scotty Bowers

…along the way. . . . Bowers has no regrets—having led a life of pleasure, satisfaction and joy that the rest of us can only envy.” —The New York Post…

Flight

by Sherman Alexie

…sentence, Alexie succeeds yet again with his ability to pierce to the heart of matters, leaving this reader with tears in her eyes.” —S. Kirk Walsh, The New York Times…

Theodore Roosevelt Johnson

Ted Johnson is a Senior Advisor at New America, leading its flagship Us@250 initiative marking the nation’s semiquincentennial, and a writer at The Bulwark. Prior to joining New America, he…

Winston Groom

…Southern Living, Condé Nast Traveler, Newsweek, Esquire, and the New York Times Magazine, and contributed editorial articles to the New York Times and the Washington Post. He became a frequent…

Dorian

by Will Self

…in its very freedom and frankness. . . . There’s no denying Self’s novel’s cleverness, best displayed in its neatly postmodern ending.” —Sophie Harrison, The New York Times Book Review…