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The Beholder’s Eye

by Walt Harrington

“Aims to dispel the old journalistic clich”: that a journalist writing about him/herself is always ‘self-indulgent and, quite likely, narcissistic.” He couldn’t have put together a better lineup of writers…

Anzio

by Lloyd Clark

“Highly readable, and of much interest to students of WWII history.” —Kirkus Reviews…

Pinball

by Jerzy Kosinski

“Kosinski has created a suspenseful, readable, and unsentimental tale that showcases his love for and knowledge of music and examines the nature of fame and success and the frightening alienation…

The Player

by Michael Tolkin

“One of the most wounding and satirical of all Hollywood expos’s: dark and mordant . . . savage. . . . A portrait of life among the high-rollers and deal…

The Player, The Rapture, The New Age

by Michael Tolkin

The Player: “A masterpiece! One of the smartest, funniest, most penetrating movies about moviemaking ever made.” –Steven Schiff, Vanity Fair…

Who’s Who in Hell

by Robert Chalmers

“Thoroughly engaging, delightful and very funny. . . . [Who’s Who in Hell] is a coming-of-age story set in a post-Thatcherite world. . . . A love story that avoids…

Tales of Natural and Unnatural Catastrophes

by Patricia Highsmith

“While best known as a writer of thrillers, Highsmith is concerned with crafting stories to evoke the human comedy. Her wry portrayals of human folly sometimes lack sympathy, but Highsmith…

Sons and Other Flammable Objects

by Porochista Khakpour

“Punchy conversation, vivid detail, sharp humor . . . Khakpour brings her characters vividly to life; their flaws and feints at intimacy feel poignantly real, and their journeys generate real…

The Siege

by Helen Dunmore

“The best historical fiction delivers emotional truth through the lives of imaginary but ordinary people, making it possible to feel the texture of events that have been smoothed out by…