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Shorter Plays Theatrical Notebooks
by Samuel Beckett“A gold mine for Beckett fans who wish to dig for anecdotes, incidents, allusions, and analogies that appear throughout almost everything he wrote . . . Grove is to be…
The Shanghai Factor
by Charles McCarry“McCarry has been compared to John le Carré—but maybe le Carré should be compared to McCarry. The Shanghai Factor is certainly the best-written spy thriller you will read this year.”…
The Secret River
by Kate Grenville“Magnificent . . . an unflinching exploration of modern Australia’s origins. . . . Grenville’s psychological acuity, and the sheer gorgeousness of her descriptions of the territory being fought over,…
The Secret Rapture and Other Plays
by David Hare“Mr. Hare’s A Map of the World, which passionately embraces utopia without arrogantly presuming to annex it, is original and provocative.” –The New York Times…
Seconds of Pleasure
by Neil LaBute“LaBute’s usual sleazy suspects are prepared to risk family, love, career, and freedom for the momentary satisfaction of their sometimes brutal desires. It will end badly, we know, and that’s…
Scripts People Live
by Claude SteinerSteiner’s classic in psychological theory, with a new foreword by the author, offers a hopeful and practical analysis so that we all may rewrite our life scripts and lead more…
Sandrine’s Case
by Thomas H. Cook“Cook has shown himself to be a writer of poetic gifts, constantly pushing against the presumed limits of crime fiction.” —Los Angeles Times Book Review…
Salty
by Mark Haskell Smith“[Mark Haskell Smith’s] characters include a not-so-usual suspect lineup of hustlers, sex addicts, supermodels, failed rock stars, wine-buff cops, psychos and flakes. Haskell Smith writes well, especially about sex and…
Room Temperature
by Nicholson Baker…the reader along with delicious little jolts . . . Some of the tenderest, most delicate interaction between husband and wife, adult and infant, in modern fiction.” —Los Angeles Times…
The Rising Sun
by Douglas Galbraith“Completely convincing . . . succeeds absolutely. Galbraith’s powers of description are immense . . . vivid enough to make the reader’s body ache . . . . We are…
