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Icelander
by Dustin Long“Icelander is . . . a kind of Series of Unfortunate Events for adults . . . It is writing born out of hysterical laughter and a lingering sense of…
The Adventures of Lucky Pierre
by Robert Coover“An embodiment of a spectacle-obsessed entertainment culture that seems horribly like our own. . . . It delivers the ancient narrative satisfaction of seeing a character deal with the inexplicabilities…
Grove at Home: September 27—October 3
…Book Foundation began the Literature for Justice program to highlight books that contribute to the dialogue around mass incarceration and justice. Since then, the need for those perspectives has only…
The Driftless Area
by Tom Drury“Drury ties up all the threads (Shane, the fire, Stella) with consummate skill. . . . The bittersweet ending is a perfect mix of light and dark. Drury is a…
From Where You Dream
by Robert Olen Butler“Butler shares his insights into—and passion for—the creation and experience of fiction with total openness, and seriously aspiring writers should receive this text/manifesto in the same light.” —Publishers Weekly (starred…
Tokyo Doesn’t Love Us Anymore
by Ray Loriga“Loriga’s gorgeous, enigmatic new novel . . . could be described in terms of its premise . . . but such a description cheats the prospective reader, because the true…
Stern
by Bruce Jay Friedman“What makes Friedman more interesting than most of Malamud, Roth and Bellow is the sense he affords of possibilities larger than the doings and undoings of the Jewish urban bourgeois’.What…
The Good Remains
by Nani Power“Power is adept at creating a cast of voices. . . . Every one of Power’s dozen or so characters brims with life and goofiness and . . . human…
Dark Roots
by Cate Kennedy“If stories could be called watchful, that might begin to describe Cate Kennedy’s debut collection. . . . Kennedy’s tales are full of provocative messages, tantalizingly revealed.” —O Magazine…
Turn of Mind
by Alice LaPlante“[Like] Anna Quindlen’s Every Last One—a dread-filled, unputdownable page-turner . . . Skillfully written in the memory-loss first person, the book combines murder mystery with family drama, bringing new meaning…
