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The Sword and the Cross
by Fergus Fleming“[A] searing story of France’s attempt to colonize the vast Sahara desert and of two unforgettable men who dedicated their lives to the effort. . . . Effectively, Fleming contrasts…
Grove at Home: January 24-30
…an attempted coup was a strangely stupefying and passive experience.” Continue reading… Will Self reads from Phone Today is the 106th anniversary of the first transcontinental phone call placed…
The Return of the Player
by Michael TolkinThe sequel to the Hollywood classic The Player, and a satire on power, wealth, and family in the twenty-first century….
The Cigar Roller
by Pablo MedinaA hypnotic portrayal of a Cuban cigar roller, now an old man trapped inside his useless body, compelled to relive his worst failures in order to conjure his fairest memories….
Among the Dead
by Michael Tolkin“Forceful . . . moves forward relentlessly like a very commercial film or a very hungry shark.” –Michiko Kakutani, The New York Times…
Good Value
by Stephen Green“A remarkable book . . . Stephen Green weaves together his reflections on economics, geopolitics, history, philosophy, literature, and religion against the background of the current crisis. Deeply challenging as…
Expats
by Christopher Dickey“In this engaging book, laced with humor, pathos and sensitivity, Mr. Dickey unveils this new Arabia, shaped by the sometimes creative, always skeptical tension between the Arab and the expatriate.”…
The Race for the Triple Crown
by Joe Drape“In crisp, elegant prose, Drape captures his subjects and their sport, taking readers behind the scenes and telling the stories that make the sport of kings endlessly fascinating. The Race…
Where We Have Hope
by Andrew Meldrum“Gripping . . . Meldrum provides names, faces and photographs of the players involved. . . . His firsthand experience of the horrors adds a chilling authenticity to this account.”…
Tokyo Cancelled
by Rana Dasgupta“[This] brilliantly conceived and jauntily delivered first novel . . . harks back to Boccaccio and Chaucer. . . . There is something marvelously primitive about the function of story…
